THE END WE START FROM (OST)
“Anna Meredith’s score brings the right blend of classical familiarity and experimental abrasion to the film - flute and cello combining with electronics to create a deep atmosphere… from ominousness to peacefulness” The Times
My BIFA-nominated score for The End We Start From is available to stream or download everywhere.
I felt clear from the start that the soundworld needed to be both intimate and large-scale and felt instinctively clear from the outset that it should be based around flute and electronics. I wanted to give the music the distinctive voice Mahalia Belo (director) was after and thought that working on a breath-focused soundworld would complement the dichotomy between large and small-scale humanity (and water connections!) that the film addresses so well.